(Front) Art by Bill Miller from a photo by Michael Mesker

FZ's speeches album

Linked material:

Congress shall make no law…”

 

  1 Congress shall make no law
  2 Perhaps in Maryland
  3 Thou shalt have no other Gods before Me
  4 Thou shalt not make unto thee any graven image
  5 Thou shalt not take the name of the Lord thy God in vain
  6 Thou shalt keep holy the Sabbath day
  7 Thou shalt honor thy father and thy mother
  8 Thou shalt not kill
  9 Thou shalt not commit adultery
10 Thou shalt not steal
11 Thou shalt not bear false witness against thy neighbor
12 Thou shalt not covet the house of thy neighbor
13 Reagan at Bitburg some more

 

All compositions by Frank Zappa.


Album notes by Gail Zappa
This is not like the arrow on a jar lid - here is no public benefit to be derived from having your favorite Artist’s album stickered - especially at the threat of extraordinary scrutiny by governmental agencies or by friends of people in high places or high people in low places with momentary access to an inflated sense of moral outrage and self-worth. It is today what it has always been. An attempt to homogenize everything that might contain any real information so that anyone who does not comply is thereby stigmatized. The creeping fatal doom that this engendered, ironically, led to FZ having his brand new record deal with MCA challenged by someone in bookkeeping who was scared of “Thing-Fish”. As well they should be. While the record industry was getting its private blank tape tax privately collected for its private massive benefit by our government, his contract ended up in the company shredder. And ultimately so did the leases of all those record stores in all those malls across America who dared to sell PRODUCT without a sticker. FZ’s offer to create his own sticker was repudiated.

And finally, when “Jazz from Hell” was nominated for a Grammy, the Grammy committee demanded to know why the record was not stickered. Never mind that its ever track is instrumental. The fact that it won could not and would not be televised. But that was the good news for us. This kind of censorship forced FZ and me and our little cottage industry to become virtually independent of the record industry. It might be hard for anyone today to imagine how it is possible to survive as an Artist when you are blacklisted from primetime television and no radio stations will play your music. A lot of it had to do with being able to sell out concert halls. And the discovery that shipping less records can make one more money when you do it yourself and refuse those scary record contracts that giveth you all on the one hand but taketh it all with the other. But mostly it was the Music - and the people who showed up for it.
Democracy is another great and good idea. But as FZ said, it only works if you participate.


Album notes by the barfies
Hello Denizens,
It’s the eve of the 25th Anniversary of Frank Zappa’s testimony before Congress. And to mark this anniversary we are releasing “Congress Shall Make No Law…”. This is your chance to reconnect with Freedom of Speech and celebrate one of the great advantages of living in a democracy. Music. Legal and available.

Yes. That’s what it says on the Hotline at 818-PUMPKIN, but there’s more. Apart from all of FZ’s testimony and statements, this discernibly turgid Public Service Announcement includes exciting bits of previously unreleased music created by FZ on the Synclavier. But this album is really about the Primary Amendment to the Constitution of the United States of America. It’s about Freedom of Speech vs. censorship. It’s about education. It’s about creators rights as guaranteed by law. It’s about education. It’s about freedom of artistic expression. It’s about education. And it’s about the difference between lyrics and music. And again, it’s about Music.
Shipping on or around 20 September 2010.
Watch the skies. Expect another email soon regarding “What’s new in Baltimore?”
 

Love


Album notes by Larry Stein - August 2010
I had the honor of being Frank Zappa’s lawyer. I remember with great fondness and pride the time we spent together preparing for and testifying against the PMRC’s censorship scheme at the United States Senate. The night before Frank’s testimony, we worked into the late hours defining and articulating the arguments against censorship. Although I was a national ranked collegiate debater, and a trained constitutional lawyer, I was no match for Frank. I was trained, Frank was a natural. I used my brain, Frank used his intellect and his heart. Like me, the Senators were no match for Frank, and his testimony was the highlight of the hearing and carried the day.
I was focused on the impact of lyrics and music, Frank was concerned about the broad spectrum of censorship. Frank saw the big picture. He intuitively sensed the play’s ending, even as the first act began. Frank tirelessly fought against even the slightest censorship because he knew it was a slippery slope. He knew any restraint on the arts was the first step to control thought. Frank wanted to make his own choices and he wanted others to have that same right.
Frank was not only an idealist, he was also a pragmatist. And so in a tactic that caught the Senators completely off guard, Frank acknowledged the legitimacy of the right of parents to choose music for their children. So he suggested that the lyrics be printed on the album. Frank’s acknowledgment of the right of the parents and his willingness to print the lyrics took the Senators by complete surprise. The Senators expected Frank to take extreme positions: that the parents had no rights and that no artist should be subjected to public scrutiny of their lyrics. But Frank’s simple, pragmatic solution to the alleged problem totally disarmed the Senators and their conspiratorial wives.
In my long career representing talent in the entertainment industry, no artist has been more challenging, rewarding and pleasurable to represent than Frank Zappa. I will always be grateful to have had the pleasure of knowing and working with Frank. It has also been my honor to work with his wife Gail and his children who have scrupulously preserved Frank’s great legacy so that future generations can experience a true icon.


Opening address by Gail Zappa on Z/PAC - September 1985
Dear Person who has NOT been fooled by the Wives of Big Brother,
If you have read the Constitution then you know that each and every American has three, count them, three (besides the President) personal representatives in Washington, whether you exercise your right or are able to vote or not. You have TWO SENATORS from your State and ONE REPRESENTATIVE from the district in which you live. It is up to you to let them know how you feel about this issue. They have a duty to listen. You have the right to speak. Find out who they are (LOOK IN THE PHONE BOOK) and WRITE / CALL them. IN WASHINGTON.
We believe this is what is at stake:
THE FIRST AMENDMENT to the CONSTITUTION OF THE UNITED STATES OF AMERICA

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble and to petition the Government for a redress of grievances”

(Passed by Congress 25 September, 1789)

Thanks in advance for your perseverance and dedication.
MUSIC IS THE BEST


Opening letter by FZ on Z/PAC
Dear Friend,
Here is the package we have prepared to assist you in any local effort you care to initiate in opposition the THE WIVES OF BIG BROTHER and their dangerous program.
Included is the typical PMRC fundraising letter. We want you to see for yourselves what their pitch is. If you agree with their point of view, do what their letter tells you to do. If you don’t, use the addresses they have provided (people to complain to), and, instead of complaining, encourage them to broadcast things that YOU like. If they are not broadcasting enough of what YOU like, tell them what YOUR ENTERTAINMENT PREFERENCES ARE, and DEMAND MORE OF IT. If you don’t make your feelings known, you are going to be stuck with watching and listening to the stuff THEY LIKE.
Also included is a copy of my letter to the President and my “Cashbox” editorial. Feel free to quote any of this material in letters you might write to your elected representatives.
The PMRC has a lot of nerve to ask for money… they are already very well funded, well connected, and seem to have the entire U.S. news media in their back packet. This mailing, all legal fees, phone bills and travel costs connected with fighting this issue have been paid for out of profits from Barking Pumpkin record sales, and from Barfko-Swill mail order funds. We thank you for buying these items. Without the orders you have already placed, a real opposing view to this issue would never have been heard.
OK… it’s up to you now. Don’t let yourselves down. Take some time and help protect YOUR Constitutional Rights. You know how to use a phone. You know how to write letters. Make some noise about this issue. Use YOUR imagination. DON’T BEND OVER FOR THE WIVES OF BIG BROTHER.
 

Thanks


PMRC fundraising letter

parents’ music resource center

300 Metropolitan Square

655 Fifteenth Street, N.W.

Washington D.C. 20005

(202) 639-4085

Thank you for letting us know that you, too, are alarmed by the escalation of violent and sexually explicit lyrics in today’s rock music. From the many phone calls and the great volume of mail that we’ve received, we are gratified that so many people across the country share our concern. We are presently meeting with people in the music industry, in government, in the private sector to let them know our views and to gain their support in seeking viable solutions to this problem. We are hopeful that those in the music industry will exercise the social responsibility and self restraint that their popularity and influence warrant.
However, we need your help. We are asking that you and your friends join our MEDIA WATCH by:
1. Monitoring your local radio and TV broadcasts carefully and, if offensive material is aired, writing down the objectionable words / songs / scenes, name and date of the program, and it’s commercial sponsors.
2. Then by writing a letter of protest to your local station manager and the program’s sponors, giving specific details of objectionable material. If you have complaints about the programming excesses on cable television, specifically MTV or music videos, write to the Executive Director of the National Cable Television Association (who carry the MTV channel) and/or the President of MTV.
3. Also, by writing to the President of the Recording Industry Association of America, who represents 85% of the recording industry, if you wish to protest a record album, its contents or jacket.
4. And by sending copies of your correspondence to the Federal Communications Commission, National Association of Broadcasters, and to your elected representatives at both the state and national level.
Even though we are focusing on rock music, we are aware that themes of violence and sexual exploitation pervade our whole society. We ask you as a concerned citizen to make your objections known in writing (see attached), whether the offensive material appears on TV, in advertisements, or in lyrics that you hear on the radio. IT’S TIME TO TAKE A STAND!
 

Sincerely

PARENTS’ MUSIC RESOURCE CENTER

P.S. If you wish to make a tax-deductible contribution to help us in our campaign, it would be greatly appreciated.


Letter by FZ - August 29, 1985

Ronald Reagan, President of the United States

The White House

1600 Pennsylvania Avenue

Washington D.C. 20500

Mr. President,
Even though I disagree strongly with many administration policies, I have never doubted that your personal views on Basic Constitutional Issues are sincere.
I would like to know your opinion of the record censorship program sponsored by the PMRC, an organization involving the wives of elected governmental officials. Do you support this effort? If so, have you considered the basic issue of fairness when a pet project, likely to result in legislative action that will restrain trade and affect the lives of millions of Americans, is promoted by the spouse of an elected official and rushed to a Senate hearing while important national business waits in the wings? Is it fair that people not fortunate enough to be married to a D.C. Superstar have to keep their mouths shut while “THE WASHINGTON WIVES” diddle with the legislative machinery?
The PMRC is an unlicensed lobbying group, comporting itself outrageously. While threatening an entire industry with the wrath of their husbands’ powerful committees, they blithely spew frogwash and innuendo with the assistance of an utterly captivated media. When the PMRC’s proposal leaps to a full committee hearing September 19th, an unfortunate precedent will be set. If you support the PMRC (or the NMRC or any other Fundamentalist Pressure Groups) in their efforts to perpetuate the myth that SEX EQUALS SIN, you will help to institutionalize the neurotic misconception that keeps pornographers in business.
By attempting to remove all references to sexuality from media consumed by young people, the PMRC, contrary to its stated goals, will create an atmosphere of ignorance that benefits the child molester, not the child.
In a nation where deranged pressure groups fight for the removal of sexual education from public schools, and parents know so little about sex that they have to call Dr. Ruth on TV for answers to rudimentary anatomical questions, it would seem infinitely more responsible for these esteemed wives and mothers to demand a full-scale Congressional demystification of the subject.
Are we headed toward a time when descriptions of sexual behavior in entertainment media can be obtained only by employing a lawyer to petition under the Freedom Of Information Act? Must all sexual practices in the United States be tested and approved by The Moral Majority? When they test them, do we get to watch?
Assuming, for argument’s sake, that the basic premise of the PMRC’s effort is to shield people in a certain age bracket from exposure to various forms of UNDESIRABLE INFORMATION, the proposition is grossly inequitable since it singles out Rock Music as the villain.
Country Music contains references to sex, violence, alcohol and the Devil, yet the PMRC is not requesting a warning label on THESE records. Could it be that a certain Senatorial husband and wife team from Tennessee has concocted this issue as an affirmative action program to benefit the suffering multitudes in Nashville? Surely there are other ways to protect this vital source of Tennessee state revenue.
Is there anyone in the PMRC who can differentiate infallibly between rock and country music? Artists in both fields have crossed stylistic lines, even within an individual album. If an album is part rock, part country, what sort of label does it get? Is this determination to be made according to the state in which the material was recorded?
The PMRC wants ratings to start as of the date of their enactment. What will be the status of those recordings remaining from the Golden Era prior to censorship? Do they become collector’s items… or will the government order them burned in a public ceremony, somewhere in Virginia?
If, as they suggest, hearing a certain type of music can cause UNWANTED BEHAVIOR, then anyone who has heard a Beatles’ or a Beach Boys’ record is in danger. Those were Charles Manson’s favorite groups.
Wagner’s influence on Hitler is well documented. Shouldn’t the PMRC consider a big red “M” for those classical works favored by Megalomaniacs? What if statistics become available showing a marked preference for Wayne Newton and Barry Manilow among convicted white-collar felons?
Fundamentalist Christianity is not a State Religion. The PMRC’s request for labels regarding sexually explicit lyrics, violence, drugs, alcohol, and occult content reads like a catalog of phenomena abhorrent to practitioners of that faith. Is the PMRC aware of the Muslim affiliations of some black performers?
If they should suddenly decide to record lyrics advocating the violent overthrow of America in the name of Allah, will the PMRC’s labels deter a nation of semi-literates from learning an exciting new dance called “The Funky Jihad”? Will the PMRC wish they had used the big red “M” to warn of Muslim Content?
The establishment of a rating system, voluntary or otherwise, sets the stage for an endless series of “control programs” based on “Things Certain Christians Don’t Like”.
What if the next bunch of Washington Wives demands a large yellow “J” on all material written or performed by Jews, in order to save helpless children from exposure to “concealed Zionist doctrine”?
How long will it take till somebody else’s wife demands that composers and performers wear a Special Arm Band at all times in public, reflecting the stigma of their category rating?
The PMRC has demanded that the record companies “reassess” the contracts of those groups who do things on stage that they don’t approve of. GROUPS are comprised of INDIVIDUALS. If one guy wiggles too much, does the whole band get an “X”? If the group gets dropped from the label because of the “X”, do the other guys in the group who weren’t wiggling get to sue the guy who wiggled because he ruined their careers?
Should the individual musicians be rated? If so, who is qualified to determine if the BASS PLAYER behaves like an “O”, the GUITAR PLAYER behaves like an “X”, the VOCALIST behaves like a “D/A”, or the DRUMMER behaves like a “V”? Will unscrupulous performers voluntarily rate themselves “B/A” (Born Again), in order to protect their careers and differentiate themselves from the rest of the Stigmatized Scum when they shoot the next “Let’s Go Pretend To Feed Somebody” video?
It was a sad day for composers, performers and record retailers when the major labels agreed to the first of PMRC’s absurd demands.
Why did they agree? The record industry bills (H.R. 3163 and H.R. 2911) regarding tape royalties and piracy must pass through Senator Thurmond’s committee. With Mrs. Thurmond a member of PMRC, the industry was hardly in a position to express their true feelings on the matter. After broad hints of “legislative strangulation”, the major labels attempted a compromise. “Not GOOD enough!” said the Washington Wives, pressing for legislation to control “satanistic or occult content”.
A composer or performer stigmatized by the “O” rating winds up on the Ultimate Blacklist. All it might take is a song with a reference to someone’s astrological sign. What legal hazards lurk then for the unfortunate retailer who sells “O” rated records? If he sells one to somebody he’s not supposed to, does he get the red-hot tweezers or what?
The PMRC’s program protects country musicians, not children, it is mechanically unworkable from a listening / rating standpoint, considering the quantity of recorded material released each year. If enacted, American Musical Culture will become a hostage in the Beige Zone, somewhere between the Salem Witchcraft Trials and the McCarthy Era.
Bad facts make bad law, and people who write bad laws are, in my opinion, more dangerous than songwriters who celebrate sexuality.
The facts simply do not support the PMRC’s outlandish claims. This is more than a First Amendment Issue. Freedom of religious thought (if this matter produces legislation determining what is “occult”), the right to assemble (if these idiotic ratings extend to live concerts), and the right to due process for composers performers and retailers (if the major labels proceed with “album identification”, in violation of existing contracts) are all jeopardized by PMRC’s demands.
I submit that elected officials have a spiritual and fiduciary duty to their constituents that takes precedent over the whims of their spouses. How many other costly and ill-conceived governmental programs have been generated in this manner and dumped onto the shoulders of American Business?
Those involved in this sort of “connubial insider trading”, if not subject to prosecution under existing law, ought to be disciplined by their peers… or perhaps they should take their own medicine and VOLUNTARILY RATE THEMSELVES. It shouldn’t be too hard to determine who deserves the Congressional “X”, the Congressional “D/A”, or the Congressional “V”. It’s hard to imagine a Congressional “O”, but there must be a few on somebody’s committee.
The PMRC loudly decries the label of censorship when it is applied to their plan. Jesse Jackson reminded Jerry Falwell in a recent CNN debate that “You do not judge a tree by the bark it wears, but by the fruit it bears…”
Mr. President, if you are not serious about getting government off our backs, could you at least do something about getting it out of our nostrils? There seems to be a lethal cloud of brimstone and mildewed bunting rising from the Senate floor.
I do not expect a reply to this letter, however, any public statement from you on this matter would be greatly appreciated.
 

Thank you


FZ statement to Congress on September 19, 1985
These are my personal observations and opinions. They are addressed to the PMRC as well as this committee. I speak on behalf of no group or professional organization.
The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal’s design.
It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC’s demands are the equivalent of treating dandruff by decapitation.
No one has forced Mrs. Baker or Mrs. Gore to bring Prince or Sheena Easton into their homes. Thanks to the Constitution, they are free to buy other forms of music for their children. Apparently they insist on purchasing the works of contemporary recording artists in order to support a personal illusion of aerobic sophistication. Ladies, please be advised: the $8.98 purchase price does not entitle you to a kiss on the foot from the composer or performer in exchange for a spin on the family Victrola.
Taken as a whole, the complete list of PMRC demands reads like an instruction manual for some sinister kind of “toilet training program” to house-break ALL composers and performers because of the lyrics of a few.
Ladies, how dare you?
The ladies’ shame must be shared by the bosses at the major labels who, through the RIAA, chose to bargain away the rights of composers, performers, and retailers in order to pass H.R. 2911, The Blank Tape Tax: A PRIVATE TAX, LEVIED BY AN INDUSTRY ON CONSUMERS, FOR THE BENEFIT OF A SELECT GROUP WITHIN THAT INDUSTRY. Is this a “consumer issue”? You bet it is.
PMRC spokes-person, Kandy Stroud, announced to millions of fascinated viewers on last Friday’s ABC Nightline debate that Senator Gore, a man she described as “A friend of the music industry”, is co-sponsor of something she referred to as “anti-piracy legislation”. Is this the same tax bill with a nicer name?
The major record labels need to have H.R. 2911 whiz through a few committees before anybody smells a rat. One of them is chaired by Senator Thurmond. Is it a coincidence that Mrs. Thurmond is affiliated with the PMRC?
I can’t say she’s a member, because the PMRC HAS NO MEMBERS. Their secretary told me on the phone last Friday that the PMRC has NO MEMBERS, only FOUNDERS.
I asked how many other D.C. wives are NON-MEMBERS of an organization that raises money by mail, has a tax-exempt status, and seems intent on running the Constitution of the United States through the family paper-shredder. I asked her if it was a cult. Finally, she said she couldn’t give me an answer and that she had to call their lawyer.
It is unfortunate that the PMRC would rather dispense governmentally sanitized Heavy Metal music than something more “uplifting”. Is this an indication of PMRC’s personal taste or just another manifestation of the low priority this administration has placed on education for the arts in America?
The answer, of course, is NEITHER. You can’t distract people from thinking about an unfair tax by talking about Music Appreciation. For that you need SEX, and LOTS OF IT.
Because of the subjective nature of the PMRC ratings, it is impossible to guarantee that same sort of “despised concept” won’t sneak through, tucked away in new slang or the over-stressed pronunciation of an otherwise innocent word. If the goal here is TOTAL VERBAL / MORAL SAFETY, there is only one way to achieve it: watch no TV, read no books, see no movies, listen to only instrumental music, or buy no music at all.
The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of Moral Quality Control Programs based on “Things Certain Christians Don’t Like”.
What if the next bunch of Washington Wives demands a large yellow “J” on all material written or performed by Jews, in order to save helpless children from exposure to “concealed Zionist doctrine”?
Record ratings are frequently compared to film ratings. Apart from the quantitative difference, there is another that is more important: people who act in films are hired to pretend. No matter how the film is rated, it won’t hurt them personally.
Since many musicians write and perform their own material and stand by it as their art (whether you like it or not), an imposed rating will stigmatize them as INDIVIDUALS. How long before composers and performers are told to wear a festive little PMRC ARM BAND with their Scarlet Letter on it?
The PMRC rating system restrains trade in one specific musical field: Rock. No ratings have been requested for Comedy records or Country Music.
Is there anyone in the PMRC who can differentiate INFALLIBLY between rock and country music? Artists in both fields cross stylistic lines. Some artists include comedy material. If an album is part Rock, part Country, part Comedy, what sort of label would it get? Shouldn’t the ladies be warning everyone that inside those Country albums with the American Flags, the big trucks, and the atomic Pompadours there lurks a fascinating variety of songs about sex, violence, alcohol, and THE DEVIL, recorded in a way that lets you hear EVERY WORD, sung for you by people who have been to prison and are PROUD OF IT?
If enacted, the PMRC program would have the effect of protectionist legislation for the Country Music Industry, providing more security for cowboys than it does for children. One major retail outlet has already informed the Capitol Records sales staff that it would not purchase or display an album with ANY KIND OF STICKER ON IT.
Another chain with outlets in shopping malls has been told by the landlord that if it racked “hard-rated albums” they would lose their lease. That opens up an awful lot of shelf space for somebody. Could it be that a certain Senatorial husband and wife team from Tennessee sees this as an “affirmative action program” to benefit the suffering multitudes in Nashville?
Is the PMRC attempting to save future generations from SEX ITSELF? The type, the amount, and the timing of sexual information given to a child should be determined by parents, not by people who are involved in a tax scheme cover-up.
The PMRC has concocted a Mythical Beast, and compounds the chicanery by demanding “consumer guidelines” to keep it from inviting your children inside its SUGAR WALLS. Is the next step the adoption of a “PMRC National Legal Age For COMPREHENSION of Vaginal Arousal”? Many people in this room would gladly support such legislation, but, before they start drafting their bill, I urge them to consider these facts:
(1) There is no conclusive scientific evidence to support the claim that exposure to any form of music will cause the listener to commit a crime or damn his soul to hell
(2) Masturbation is not illegal. If it is not illegal to do it, why should it be illegal to sing about it?
(3) No medical evidence of hairy palms, warts, or blindness has been linked to masturbation or vaginal arousal, nor has it been proven that hearing references to either topic automatically turns the listener into a social liability
(4) Enforcement of anti-masturbatory legislation could prove costly and time consuming
(5) There is not enough prison space to hold all the children who do it
The PMRC’s proposal is most offensive in its “moral tone”. It seeks to enforce a set of implied religious values on its victims. Iran has a religious government. Good for them. I like having the capital of the United States in Washington D.C., in spite of recent efforts to move it to Lynchburg, Virginia.
Fundamentalism is not a state religion. The PMRC’s request for labels regarding sexually explicit lyrics, violence, drugs, alcohol, and especially OCCULT CONTENT reads like a catalog of phenomena abhorrent to practitioners of that faith. How a person worships is a private matter, and should not be INFLICTED UPON or EXPLOITED BY others. Understanding the Fundamentalist leanings of this organization, I think it is fair to wonder if their rating system will eventually be extended to inform parents as to whether a musical group has homosexuals in it. Will the PMRC permit musical groups to exist, but only if gay members don’t sing, and are not depicted on the album cover?
The PMRC has demanded that record companies “re-evaluate” the contracts of these groups who do things on stage that THEY find offensive. I remind the PMRC that GROUPS are comprised of INDIVIDUALS. If one guy wiggles too much, does the whole band get an “X”? If the group gets dropped from the label as a result of this “re-evaluation” process, do the other guys in the group who weren’t wiggling get to sue the guy who wiggled because he ruined their careers? Do the FOUNDERS of this TAX-EXEMPT ORGANIZATION WITH NO MEMBERS plan to indemnify record companies for any losses incurred from unfavorably decided breach of contract suits, or is there a PMRC secret agent in the Justice Department?
Should individual musicians be rated? If so, who is qualified to determine if the GUITAR PLAYER is an “X”, the VOCALIST is a “D/A” or the DRUMMER is a “V”? If the BASS PLAYER (or his Senator) belongs to a religious group that dances around with poisonous snakes, does he get an “O”? What if he has an earring in one ear, wears an Italian Horn around his neck, sings about his astrological sign, practices yoga, reads the Kabbalah, or owns a rosary? Will his “occult content” rating go into an old CoIntelPro computer, emerging later as a “FACT”, to determine if he qualifies for a horns-owner loan? Will they tell you this is necessary to protect the folks next door from the possibility of “devil-worship” lyrics creeping through the wall?
What hazards await the unfortunate retailer who accidentally sells an “O” rated record to somebody’s little Johnny? Nobody in Washington seemed to care when Christian Terrorists bombed abortion clinics in the name of Jesus. Will you care when the “FRIENDS OF THE WIVES OF BIG BROTHER” blow up the shopping mall?
The PMRC wants ratings to start as of the date of their enactment. That leaves the current crop of “objectionable material” untouched. What will be the status of recordings from that Golden Era prior to censorship? Do they become collector’s items… or will another “fair and unbiased committee” order them destroyed in a public ceremony?
Bad facts make bad law, and people who write bad laws are, in my opinion, more dangerous than songwriters who celebrate sexuality.
Freedom of Speech, Freedom of Religious Thought, and the Right to Due Process for composers, performers and retailers are imperiled if the PMRC and the major labels consummate this nasty bargain.
Are we expected to give up Article One so the big guys can collect an extra-dollar on every blank tape and 10% to 25% on tape recorders? What’s going on here? Do WE get to vote on this tax?
There’s an awful lot of smoke pouring out of the legislative machinery used by the PMRC to inflate this issue. Try not to inhale it. Those responsible for the vandalism should pay for the damage by VOLUNTARILY RATING THEMSELVES. If they refuse, perhaps the voters could assist in awarding the Congressional “K”, the Congressional “D/A” the Congressional “V”, and the Congressional “O”. Just like the ladies say: these ratings are necessary to protect our children. I hope it’s not too late to put them where they REALLY belong.


Senate Commerce, Science & Transportation Committee
Republicans

John DANFORTH, Missouri, Chairman (*)

Robert PACKWOOD, Oregon (*)

Barry GOLDWATER, Arizona

Nancy KASSEBAUM, Kansas

Larry PRESSLER, South Dakota

Slade GORTON, Washington

Ted STEVENS, Alaska

Bob KASTON, Wisconsin

Paul TRAVIL, Virginia

Democrats

Ernest HOLLINGS, South Carolina

Russell LONG, Louisiana

Daniel INOUYE, Hawaii

Wendell FORD, Kentucky

Donald RIEGLE, Michigan

James EXON, Nebraska

Albert GORE, Tennessee (*)

John D. ROCKEFELLER, West Virginia

(*) wives are founding members of PMRC


FZ’s open letter to the music industry on “Cashbox” - 1985
“EXTORTION, PURE AND SIMPLE…”
With all due respect to Stan Gortikov and the RIAA, I would like a few moments of your time to express my personal feelings regarding the unfortunate decision to bend over for the PMRC on the issue of album “identification”.
First, let me say that I appreciate the difficult position the RIAA is in and sympathize fully with the organizations struggle to move legislation through Congress. The problem seems to be the Thurmond committee. This is where the industry’s proposed legislation will live or die. It is no secret that Mrs. Thurmond is a member of PMRC. What is apparently happening is a case of extortion, pure and simple. THE RIAA MUST TAP DANCE FOR THESE WASHINGTON WIVES OR THE INDUSTRY’S BILL WILL FEEL THE WRATH OF THEIR FAMOUS HUSBANDS.
It is to the RIAA’s credit that the bulk of PMRC’s demands were rejected, however capitulation on the stickering issue will cause more problems than it will solve.
The PMRC makes no secret of its intentions to use “special relationships” to force this issue. In an interview on an Albany radio station, Mrs. Pam Howar made reference to a Mr. Fowler at the FCC, suggesting that some intervention by this agency might be in order, should the PMRC’s other nefarious techniques fail. Did somebody rewrite the FCC charter while we weren’t looking? What’s going on here?
These cultural terrorists are attempting to create a hostage situation. It is time to bring in the Delta Force… with a friendly reminder that extortion is still an illegal act, that conspiracy to commit extortion is an illegal act, and that this issue goes beyond First Amendment considerations. We are witnessing a type of corrupt practice that must end. No person married or related to a government official should be permitted to waste the nation’s time on ill-conceived housewife hobby projects such as this.
The PMRC’s case is totally without merit, based on a hodgepodge of fundamentalist frogwash and illogical conclusions. Shrieking in terror at the thought of someone hearing references to masturbation on a Prince record, the PMRC’s members put on their “guardian of the people” costumes and the media comes running. It is an unfortunate trend of the ‘80s that the slightest murmur from a special interest group (especially when it has friends in high places) causes a knee-jerk reaction of appeasement from a wide range of industries that ought to know better.
If you are an artist reading this, think for a moment… did anyone ask you if you wanted to have the stigma of “potential filth” plopped onto your next release via this “appeasement sticker”? If you are a songwriter, did anyone ask you if you wanted to spend the rest of your career modifying your lyric content to suit the spiritual needs of an imaginary eleven-year-old?
The answer is, obviously, NO. In all of this, the main concern has been the business agenda of the major labels versus the egos and sexual neuroses of these vigilant ladies.
A record company has the right to conduct its business and to make a profit, but not at the expense of the people who make the product possible… someone still has to write and perform THE MUSIC. The RIAA has taken what I feel to be a short-sighted approach to the issue. The “voluntary sticker” will not appease these creatures, nor will it grease the chute through the Thurmond committee. There are no promises or guarantees here: only threats and insinuations from PMRC.
The RIAA has shown a certain disregard for the creative people of the industry in its eagerness to protect the revenues of the record companies. Ladies and gentlemen, we are all in this together… when you watched the hostages on TV, didn’t you sort of mumble to yourself: “Let’s nuke ‘em…”? The PMRC deserves nothing less (and the same to NMRC or any other censorship group with a broadcast blacklist in its back pocket).
For the elected officials who sit idly by while their spouses run rabid with anti-sexual pseudo-Christian legislative fervor, there lurks the potential for the same sort of dumb embarrassment caused by Billy Carter’s fascinating exploits. I do not deny anyone the right to their opinions on any matter… but when certain people’s opinions have the potential to influence my life, and the lives of my children because of their special access to legislative machinery, I think it raises important questions of law. Ronald Reagan came to office with the proclaimed intention of getting the federal government off our backs. The secret agenda seems to be not to remove it, but to force certain people to wear it like a lampshade at a D.C. Tupperware party.
Nobody looks good wearing brown lipstick. These creatures can hurt you. Their ignorance is like a virus. Get mad. Fight back. The Goldwater committee is hearing this matter on September 19. Use the phone. Use the telex. Demand that Congress deal with the substantive issue of “connubial insider trading” and power-brokerage. Demand censure for those elected officials who participate. Demand fairness for the record industry’s legislation in the Thurmond committee. Remind them that they have a duty to the people who elected them that takes priority over their domestic relationships.


Closing letter by FZ on Z/PAC - 1985
“IT’S NOT OVER YET, FOLKS”
OK… the “hearing” is over… you think it’s all going to fade into the sunset now, right? Not quite. The GOOD NEWS is the PMRC has given up on all demands EXCEPT that SOME KIND OF SYMBOL APPEARS ON THE FRONT OF AN ALBUM WITH “UNDESIRABLE CONTENT”. That’s right. Just a “tiny little symbol” on the front. Is this too much to ask? YOU BET IT IS!
That “tiny little symbol” still requires somebody else to decide what those lyrics mean, and whether or not they are “filthy”. This determination is the responsibility of individual parents making decisions based on standards in their community, not those of a record executive in New York or Hollywood.
Most of you did not see or hear what really happened during the “hearing”. There was quite a bit of “news management” taking place, especially regarding my testimony. CNN viewers saw only the semi-apoplectic Senator Gorton denouncing me for my “Constitutional ignorance”.
Under the “hearing” rules, I was not allowed to say anything in response, however, I would like to take this opportunity to remind him that although I flunked just about everything else in high school, I did get an “A” in Civics, and secondly, if he wanted to tell me I was just an ignorant musician, why didn’t he use the Koppel method and say: “Now, Mr. Zappa, you’re an intelligent man…”. Anybody who gets that recitation from Ted twice in one episode of Nightline has surely been told how stupid he is.
Since the media coverage was enormous, including foreign press, I began my testimony with a “reference reading” of The First Amendment so that people outside the U.S. might understand what we were discussing, and to remind vermin like Senator Gorton that, in spite of their bizarre interpretation, this “historical document” was still in existence. The “hearing” lasted about 5 hours. The “denouncement” was the only thing offered by Gorton during the whole event. No questions. No debate. Just a photo opportunity for another Congressional bozo.
Since my written speech would have lasted longer than the 10 minutes I was allotted, I read a short version. The full version went into the Congressional record along with all the other prepared testimony. After reading it, I proposed a solution to the whole matter, based on a suggestion from my attorney, Larry Stein. Senator Hollings (the one who said: “IF I COULD DO AWAY WITH ALL OF THIS MUSIC CONSTITUTIONALLY, I WOULD…”) said, in the hearing, on the record, that he preferred my proposal to the PMRC rating idea. You never heard about it, did you?
This revolutionary proposal is very simple. No rating. No sticker. No committee decisions. Let the parent decide after reading the lyrics. The lyrics would be printed on a sheet of white paper (preferably with a First Amendment Reminder at the top of the page), under the shrink-wrap on the back of the album. For cassettes, an accordion-fold. Since they asked for it, we’ll let the PMRC figure out how to PAY for it. The royalties to writers and publishers must be paid at the statutory rate. The cost of printing must be paid. Once the album leaves the store with this information on it, you can’t bring it back.
Any kind of warning system is going to cost money. This one puts the responsibility for the decision of what is clean or dirty where it belongs: in the hands of the parents. IF MILLIONS OF PARENTS REALLY WANT THIS, THEN FUNDING IT SHOULD NOT BE A PROBLEM. If not… remember: most record stores still have a CHILDREN’S SECTION. You can always shop there.

1. Congress shall make no law


[Jade Teta] CONGRESS SHALL MAKE NO LAW
 
[Chairman] Mr. Frank Zappa
[Chairman] Mr. Zappa, thank you very much for being with us. Please proceed.
[FZ] OK. My name is Frank Zappa. This is my attorney Larry Stein from Los Angeles. Can you hear me?
[Chairman] Could you… If you could speak very directly and clearly into the microphone, I would appreciate it
[FZ] OK. My name is Frank Zappa. This is my attorney Larry Stein.
Uh… The statement that I prepared, that I sent you 100 copies of, is five pages long, so I have shortened it down and I’m going to read a condensed version of it.
Certain things have happened. I have been listening to the event in the other room and have heard some conflicting reports as to whether or not people in this committee want legislation. I understand that Mr. Hollings does from his comments. Is that correct?
[Chairman] I think you better concentrate on your testimony, rather than asking questions to the committee, Mr. Zappa.
[FZ] The reason I need to ask it, because if it… I have to change something in my testimony if s if there is not a clear-cut version of whether or not legislation is what is being discussed here.
[Chairman] Do the best you can, because I don’t think anybody here can characterize Mr. HollingsSenator Hollings’ position.
[FZ] OK. I will carry on with the issue, then. First thing…
[Senator Exon] Mr. Chairman, I might help him out just a little bit. I might make a statement.
[FZ] Yes
[Senator Exon] This is one Senator that might be interested in legislation and/or regulation uh… to some extent, recognizing the problems with free right of expression and my previously expressed views that I don’t believe I should be telling other people what they have to listen to. But I really believe that the suggestion made by the original panel was some kind of an arrangement uh… for voluntarily policing this in the music industry as the correct way to go. So, if it’ll help you out in your testimony, I might join Senator Hollings and, or others in some kind of legislation and/or regulation, unless the free enterprise system, both the producers and you as the performers, see fit to clean up your act.
[FZ] OK, thank you. Then I’ll…
[Senator Exon] […] voluntary
[FZ] OK. That’s hardly voluntary. The first thing I would like to do, because I know there is some foreign press involved here and they might not understand what the issue is about, one of the things the issue is about is the… the First Amendment to the Constitution, and I’d… it is short… and I’d like to read it so they will understand. It says:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble and to petition the Government for a redress of grievances”

That’s for reference.
 
These are my personal observations and opinions. I speak on behalf of no group or professional organization.
 
The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal’s design.
It’s my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC’s demands are the equivalent of treating dandruff by decapitation.
No one has forced Mrs. Baker or Mrs. Gore to bring Prince or Sheena Easton into their homes. Thanks to the Constitution, they are free to buy other forms of music for their children. Apparently they insist on purchasing the works of contemporary recording artists in order to support a personal illusion of aerobic sophistication. Ladies, please be advised: the $8.98 purchase price does not entitle you to a kiss on the foot from the composer or performer in exchange for a spin on the family Victrola.
Taken as a whole, the complete list of PMRC demands reads like an instruction manual for some sinister kind of “toilet training program” to house-break ALL composers and performers because of the lyrics of a few.
Ladies, how dare you?
The ladies’ shame must be shared by the bosses at the major labels who, through the RIAA, chose to bargain away the rights of composers, performers, and retailers in order to pass H.R. 2911, The Blank Tape Tax: A PRIVATE TAX, LEVIED BY AN INDUSTRY ON CONSUMERS, FOR THE BENEFIT OF A SELECT GROUP WITHIN THAT INDUSTRY. Is this a “consumer issue”? You bet it is.
The major record labels need to have H.R. 2911 whiz through a few committees before anybody smells a rat. One of them is chaired by Senator Thurmond. Is it a coincidence that Mrs. Thurmond is affiliated with the PMRC?
I can’t say she’s a member, because the PMRC has no members. Their secretary told me on the phone last Friday that the PMRC has no members, only founders.
I asked how many other D.C. wives are non-members of an organization that raises money by mail, has a tax-exempt status, and seems intent on running the Constitution of the United States through the family paper-shredder. I asked her if it was a cult. Finally, she said she couldn’t give me an answer and that she had to call their lawyer.

While the wife of the Secretary of the Treasury recites “Gonna drive my love inside you” and Senator Gore’s wife talks about “BONDAGE” and “oral sex at gunpoint” on the CBS Evening News, people in high places work on a tax bill that is so ridiculous, the only way to sneak it through is to keep the public’s mind on something else: PORN ROCK.
Is the basic issue morality? Is it mental health? Is it an issue at all? The PMRC has created a lot of confusion with improper comparisons between song lyrics, videos, record packaging, radio broadcasting, and live performances. These are all different mediums and the people who work in them have the right to conduct their business without trade-restraining legislation, whipped up like an instant pudding by “The wives of Big Brother”.
Is it proper that the husband of a PMRC nonmember / founder / person sits on any committee considering business pertaining to the blank tape tax or his wife’s lobbying organization? Can any committee thus constituted find facts in a fair and unbiased manner? This committee has three that we know about: Senator Danforth, Senator Packwood, and Senator Gore. For some reason, they seem to feel there is no conflict of interest involved.

Children in the vulnerable age bracket have a natural love for music. If as a parent you believe they should be exposed to something more uplifting than “Sugar walls”, support music appreciation programs in schools. Why haven’t you considered your child’s need for consumer information? Music appreciation costs very little compared to sports expenditures. Your children have a right to know that something besides pop-music exists.
It is unfortunate that the PMRC would rather dispense governmentally sanitized Heavy Metal music than something more “uplifting”. Is this an indication of PMRC’s personal taste or just another manifestation of the low priority this administration has placed on education for the arts in America?
The answer, of course, is neither. You can’t distract people from thinking about an unfair tax by talking about Music Appreciation. For that you need SEX, and lots of it.
The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of Moral Quality Control Programs based on “Things certain Christians don’t like”.
What if the next bunch of Washington Wives demands a large yellow “J” on all material written or performed by Jews, in order to save helpless children from exposure to “concealed Zionist doctrine”?
Record ratings are frequently compared to film ratings. Apart from the quantitative difference, there is another that is more important: people who act in films are hired to pretend. No matter how the film is rated, it won’t hurt them personally.
Since many musicians write and perform their own material and stand by it as their art (whether you like it or not), an imposed rating will stigmatize them as individuals. How long before composers and performers are told to wear a festive little PMRC arm band with their Scarlet Letter on it?
Bad facts make bad law, and people who write bad laws are, in my opinion, more dangerous than songwriters who celebrate sexuality.
Freedom of speech, freedom of religious thought, and the right to due process for composers, performers and retailers are imperiled if the PMRC and the major labels consummate this nasty bargain.
Are we expected to give up Article One so the big guys can collect an extra-dollar on every blank tape and 10% to 25% on tape recorders? What’s going on here? Do we get to vote on this tax?
I think that this whole matter has gotten completely blown out of proportion, and I agree with Senator Exon that there is a very dubious reason for having this event. And I also agree with Senator Exon that you shouldn’t be wasting time on stuff like this, because from the beginning I have sensed that it is somebody’s hobby project.
Now, I’ve done a number of interviews on television and people keep saying: “Can’t you take a few steps in their direction, can’t you sympathize, can’t you empathize?” I do more than that at this point. I’ve got an idea for a way to stop all this stuff and a way to give parents what they really want, which is information, accurate information as to what is inside the album, without providing a stigma for the musicians who have played on the album or the people who sing it or the people who wrote it. And I think that if you listen carefully to this uh… idea that it might just get by all of the constitutional problems and everything else, as far as I am concerned.
I have no objection to having all of the lyrics placed on the album routinely, all the time. But, there is a little problem. Record companies do not own the right automatically to take these lyrics, because they’re owned by publishing companies.
So, just as all the rest of the PMRC proposals would cost money, this would cost money too, because the record companies would need… the they shouldn’t be forced to bear the cost, the extra expenditure to the publisher, to print those lyrics.
Uh… If you consider that the public needs to be warned about the contents of the records, what better way than to let them see exactly what the songs say? That way you don’t have to put any kind of… of subjective rating on the record. You don’t have to call it R, X, D/A, anything. You can read it for yourself.
But in order for it to work properly, the lyrics should be on a uniform kind of a sheet. Maybe even the Government could print those sheets. Maybe it should even be paid for by the Government, if the Government is interested in uh… making sure that people have consumer information in this regard.
And uh… you also have to realize that if a person buys the record and takes it out of the store, once it is out of the store you can’t return it if you read the lyrics at home and decide that little Johnny is not supposed to have it.
I think that that should at least be considered, and the idea of imposing these ratings on live concerts, on the albums, asking record companies to re-evaluate or drop or violate contracts that they already have with artists should be thrown out.
That’s it all. That’s what I have to say.
 
[Chairman] Thank you very much, Mr. Zappa. You understand that the… the uh… previous witnesses were not asking for legislation. And uh… I don’t know, I can’t speak for Senator Hollings, but I think that the prevailing view here is that nobody is asking for legislation. The question is just focusing on what a lot of people perceived to be a problem, and you have indicated that you at least understand that there is another point of view.
[FZ] Yeah, I do understand
[Chairman] But there are people that think that parents should have some knowledge of what goes into their home.
[FZ] All along my objection has been with the tactics used by these people in order to achieve the goal. I just think the tactics have been really bad, and the whole premise of their proposal, the they were badly advised in terms of record business law, they were badly advised in terms of practicality, or uh… they would have known that certain things don’t work mechanically with what they sug suggest.
 
[Chairman] Senator Gore
[Senator Gore] Thank you ve very much, Mr. Chairman. I found your statement very interesting and… let me say, although I disagree with some of the statements that you make and have made on other occasions, I have been a fan of your music, believe it or not. And I… I… respect you as a true original and a tremendously talented musician.
Your suggestion on printing the lyrics on the album is… is a very interesting one. Because the PMRC at one point said they would propose either a rating or warning, or printing all the lyrics on the album. And… And the record companies came back and said that they… that they didn’t want to do that.
But I think an awful lot of people agree with… with your suggestion that one easy way to solve this problem for parents would be to put the actual words there, so that parents could… could see them. In fact, the National Association of Broadcasters made exactly the same request of the record companies.
So, I think your suggestion is… is an intriguing one and might really be a solution for the problem.
[FZ] But the problem… Well, you just have to understand that it does cost money, because you can’t expect publishers to automatically give up that right, which is a money earning right for them. Somebody is going to have to reimburse the publishers, the record industry is going to… without trying to mess up the album jacket art, and impose the… that lyrics only be printed on the back, it should be a sheet of paper that is slipped inside the shrink-wrap, that when you take it out you can still have a complete album package. So there is going to be some extra cost for printing it.
But as long as people realize that for this kind of consumer safety you’re gonna spend some money and as long as you can find a way to pay for it, I think that would be the best way to let people know.
[Senator Gore] Well, you know, I do not disagree with that at all. And the… the… the separate sheet would also solve the problem with the cassettes as well, because you do not have the… the space for words on the cassette packs.
[FZ] Well, there would have to be a little accordion-fold in there.
[Senator Gore] Yeah. Something like that. And… or… or just fold it. But… But a very large percentage of the albums that are sold are sold in cassette form.
I’ve lif listened to you a number of times on this issue, and uh… I guess the question that… that I really want to get from you is, or the… the statement that I want to get from you is… is on whether or not you feel that the concern is legitimate.
Because, occasionally you… you feel very strongly about your position, and I understand that. Very articulate and forceful.
But occasionally you give the impression that you think parents are just silly to… to be concerned at all.
[FZ] That’s not an accurate impression.
[Senator Gore] Well, please clarify it, then.
[FZ] First of all, I think it is the parents’ concern, it is not the Government’s concern.
[Senator Gore] And they agree with you on that.
[FZ] Well, that doesn’t come across in the way they have been speaking. The whole drift that I have gotten, based upon the media blitz that has attended the PMRC and its rise to infamy, is that they have a special plan, and it has smelled like legislation up until now.
There are too many things that look like hidden agendas involved with this. And, I am a parent. I have got four children. Two of them are here. I want them to grow up in a country where they can think what they want to think, be what they want to be, and not what somebody’s wife or somebody in Government makes them be.
I don’t wanna have that and I don’t think you do either.
[Senator Gore] OK. But now you’re back on the… you’re back on the other issue. And… let me just say briefly on that, that th they say repeatedly no legislation, no regulation, no Government action. Certainly sounded pretty clear to me. And as far as a… as far as a hidden agenda, you know, I… I don’t see one, hear one, or know of one.
[FZ] OK, let me tell you why I have drawn these conclusions. First of all, they may say: “We are not interested in legislation”. But there are others who do, and because of their project bad things have happened in this country in the industry.
I believe there is actually some liability. Look at this. You have a situation where, even if you go for the lyric printed thing in the record, because of the tendency among Americans to be copycats, one guy commits a murder, you get a copycat murder, now you’ve got copycat censors.
You get a very bad situation in San Antonio, Texas, right now where they are trying to pass PMRC-type individual ratings and attach them to live concerts, with the mayor down there trying to make a national reputation by putting San Antonio on the map as the first city in the United States to have these regulations, against the suggestion of the city attorney, who says: “I don’t think this is constitutional”.
But you know, there is this fervor to get in and do even more, even more.
And the other thing, the PMRC starts off talking about lyrics, but when they take it over into other realms they start talking about the videos… in fact, you misspoke yourself at the beginning in your introduction when you were talking about the music does this, the music does that. There is a distinct difference between those notes and chords and the bass line and the rhythm that support the words and the lyrics.
I do not know whether you really are talking about controlling the type of music that gets heard.
So just specifically we’re talking about lyrics. It began with lyrics. But even looking at the PMRC fundraising letter , in the last paragraph at the bottom of the page it starts looking like it is branching into other areas, when it says: “We realize that this material has pervaded other aspects of society”. And it is like what, you are going to fix it all for me?
[Senator Gore] No, I think what they’re… I mean, I think they’re acknowledging some of the uh… statements by some of their critics who say: “Well, wh why single out the music industry?” But if I can have just a… have a minute more, Mr. Chairman.
Before we got back into that, you were saying, yes, you… you do believe that there is a legitimate concern.
[FZ] Ya, but the legitimate concern is a matter of taste for the individual parent and how much sexual information that parent wants to give their child, at what age, at what time, in what quantity, OK? And I think that, because there is a tendency in the United States to hide sex, which I think is an unhealthy thing to do, and many parents do not give their children good sexual education, in spite of the fact that little books for kids are available, and other parents demand that sexual education be taken out of school, it makes the child vulnerable, because if you don’t have something rational to compare it to when you see or hear about something that is aberrated you do not perceive it as an aberration. OK?
[Senator Gore] OK, I’ve run out of time. Thank you, Mr. Chairman.
 
[Chairman] Senator Rockefeller. Senator Gorton.
[Senator Gorton] Mr. Zappa, I uh… am astounded at the courtesy and soft-voiced nature of the comments of my friend, the Senator from Tennessee. I can only say that I found your statement to be boorish uh… incredibly and insensitively insulting to the people that were here previously; that you could manage to give the First Amendment of the Constitution of the United States a bad name, if I felt that you had the slightest understanding of it, which I do not. You do not have the slightest understanding of the difference between Government action and private action, and you have certainly destroyed any case you might otherwise have had with this Senator.
Thank you, Mr. Chairman.
[FZ] Is this private action?
 
[Chairman] Senator Exon
[Senator Exon] Mr. Chairman, thank you very much. Mr. Zappa, let me say that… I was surprised that Senator Gore knew and liked your music. I must co confess that I have never heard any of your music, to my knowledge.
[FZ] I would be more than happy to recite my lyrics to you.
[Senator Exon] Can we forgo that?
[Senator Gore] You… You’ve probably never heard of the Mothers of Invention.
[Senator Exon] I have heard of Glenn Miller and Mitch Miller. Did you ever perform with them?
[FZ] As a matter of fact, I took music lessons in grade school from Mitch Miller’s brother.
[Senator Exon] That’s the first sign of hope we have had in this hearing.
Let us try and get down to a fundamental question here that I would like to ask you, Mr. Zappa. Do you believe that parents have the right and the obligation to mold the psychological development of their children?
[FZ] Yeah, I think they have that right, and I also think they have that obligation.
[Senator Exon] Do you see any… extreme difficulty in carrying out those obligations for a parent by material falling into the hands of their children over which they have little or no control?
[FZ] Well, one of the things that has been brought up before is uh… talking about very young children getting access to the material that they have been showing here today. And what I have said to that in the past is a teenager may go into a record store unescorted with $8.98 in his pocket, but very young children do not.
If they go into a record store, the $8.98 is in mom’s pocket or dad’s pocket, and they can always say: “Johnny, buy a book”. They can say: “Johnny, buy instrumental music, there’s some nice classical music here for you, why don’t you listen to that?”
The parent can uh… ask or guide the child in another direction, away from Sheena Easton, Prince, or whoever else you have been complaining about. There is always that possibility.
[Senator Exon] As I understand it from your testimony and… once again, I want to emphasize that I see nothing wrong whatsoever. In fact, I salute the ladies for bringing this to the attention of the public as best they see fit. And I think you could tell from my testimony that I tend to agree with them. But I want to be very careful that we do not overstep our bounds and try and me, I emphasize once again, tell somebody else what they should see. So I am primarily worried about… about children.
It seems to me from your statement that you have no obligation or no objection whatsoever uh… to printing lyrics, if that would be legally possible, or tech from a standpoint of having the room to do that, on records or tapes. Is that not what you said?
[FZ] I think it would be advisable for two reasons. One, it gives people one of the things that they’ve been asking for. It gives them that type of consumer protection because, if you can read the English language and you can see the lyrics on the back, you have no excuse for complaining if you take the record out of the store.

And also, I think that the record industry has been damaged and it has been given a very bad rap by this whole situation because it’s been indicated, or people have attempted to indicate, that there is so much of this kind of material that people object to in the industry, that is what the industry is. It is not bad at all. Some of the albums that have been selected for abuse here are obscure. Some of them are already several years old. And I think that a lot of deep digging was done in order to come up with the song about the anal vapors or whatever it was that they were talking about before.
[Senator Exon] If I understand you… you… you would be in support of printing the lyrics, but you are adamantly opposed to any kind of a rating system? Is that correct?
[FZ] I’m opposed to the rating system because, as I said, if you put a rating on the… the record it goes directly to the character of the person who made the record, whereas if you rate a film, a guy who is in the film has been hired as an actor. He is pretending. You rate the film, whatever it is, it doesn’t hurt him.
But whether you like what is on the record or not, the guy who made it, that’s his art and to stigmatize him is not fair.
[Senator Exon] Well, likewise, if you are primarily concerned about the artists, is it not true that for many many years, we have had uh… ratings of uh… of movies with indications as to the sexual content of movies and that has been, as near as I can tell, a voluntary action on the part of the actors in the movies and the producers of the movies and the distributors?
That seems to have worked reasonably well. What is wrong with that?
[FZ] Well, first of all, it replaced something that was far more restrictive, which was the Hays Office. And as far as that being voluntary, there are people who wish they did not have to rate their films. They still object to rating their films, but the reason the ratings go on is because if they are not rated they won’t get distributed or shown in theaters. So there is a little bit of pressure involved there. But still there is no stigma on the person.
[Senator Exon] The Government does not require that. The… The point I am trying to make is and uh…
While I think these hearings should not have been held if we are not considering legislation or regulations at this time, I emphasized earlier that they might follow.
I simply want to say to you that I suspect that, unless the industry “cleans up their act”, and I use that in quote words again, there is likely to be legislation. And it seems to me that it would not be too far removed from reality or too offensive to anyone if you could follow the general guidelines, right, wrong, or indifferent, that are now in place with regard to the movie industry.
[FZ] Well, I would object to that. I think first of all, I believe it was you who asked the question of Mrs. Gore whether there was any other indication on the album as to the contents. And I would say that a buzz saw blade between a guy’s legs on the album cover is a good indication that it is not for little Johnny.
[Senator Exon] I don’t believe I entered that question, but the point that you made is a good one, because if that should not go to little minds I think there should be at least some minimal activity or attempt on the part of the producers and distributors, and indeed possibly the performers, to see that that does not get to that little mind.
Mr. Chairman, thank you very much.
 
[Chairman] Hollings
[Senator Hollings] Mr. Zappa, I apologize for coming back in late, but I am just hearing the latter part of it. I hear that you say that perhaps we could print the words, and I think that is a good suggestion, but it is unfair to have it rated.
Now, it is not considered unfair in the movie industry, and I want you to elaborate. I don’t want to belabor you, but why is it unfair? I mean, it’s accurate, isn’t it? I mean…
[FZ] Well, I don’t know whether it is accurate, because they sometimes have trouble deciding how a film gets to be an X or an R or whatever. And uh… you have two problems. One is th the quantity of material, 325 films per year versus 25,000 4-minute songs per year, OK?
You also have a problem that an album is a compilation of different types of cuts. If one song on the album is sexually explicit and all the rest of it sounds like Pat Boone, what do you get on the album? How are you going to rate it?
You know, there are little technical difficulties here, and also you have the problem of having somebody in the position of deciding what’s good, what’s bad, what’s talking about the Devil, what is too violent, and you know, and the rest of that stuff.
But the point that I made before is that when you rate the album you are rating the individual, because he takes personal responsibility for the music. And in the movies, the actors who are performing in the movie, it doesn’t hurt them.
[Senator Hollings] Well, very good. I… I think the actual printing of the content itself is perhaps even better than the rating. Let everyone else decide.
[FZ] I think you should leave it up to the parents, because not all parents want to keep their children totally ignorant.
[Senator Hollings] Well, what… Yeah, you and I would differ on what is ignorance and educated, I can see that. But…
[FZ] No, I happen to think that you are very educated
[Senator Hollings] I can’t complain if it was there, they could see what they were buying and I think that would be a step in the right direction.
But as Senator Exon has pointed out, whereby the primary movers in this particular regard are not looking for legislation or regulations, that’s our function.
 
And to be perfectly candid with you, I would look for regulations or some kind of legislation, if it could be constitutionally accomplished, unless of course we have these initiatives from the industry itself.
An’ I think your suggestion is a good one. If you print those words, that would go a long way to satisfying everyone’s objections.
[FZ] All we have to do is find out how it is going to be paid for
[Senator Hollings] Good enough. Thank you, Mr. Chairman.
 
[Chairman] Senator Hawkins
[Senator Hawkins] Mr. Zappa
[FZ] Yes
[Senator Hawkins] You say you have four children?
[FZ] Yes
[Senator Hawkins] Pardon me
[FZ] Four children
[Senator Hawkins] Four children. Have you ever purchased toys for those children?
[FZ] No, my wife does.
[Senator Hawkins] Well, I might tell you that if you were to go in a toy store (which is very educational for fathers, by the way, it is not a maternal responsibility to buy toys for children) that you may look on the box and the box says, this is suitable for 5 to 7 years of age, or 8 to 15, or 15 and above, to give you some guidance for a toy for a child. Do you object to that?
[FZ] In a way I do, because that means that somebody in an office someplace is making a decision about how smart my child is.
[Senator Hawkins] I’d be interested to see what toys your kids ever had
[FZ] Why would you be interested?
[Senator Hawkins] Just as a point of interest in this…
[FZ] Well, come on over to the house. I’ll show ‘em to you.
[FZ] Really!
[Senator Hawkins] I… I might do that
Have you ever made… Do you make a profit from sales of rock records?
[FZ] Yes
[Senator Hawkins] So you do make a profit from the sales of rock records?
[FZ] Yes
[Senator Hawkins] Thank you, I think that statement… tells the story to this committee
Thank you
 
[Chairman] Mr. Zappa, thank you very much for your testimony
[FZ] Thank you
 
[Chairman] Next witness is John Denver
 
[Senator Hollings] We haven’t got ‘em whipped on this one yet. You got a bear by the tail here, uh? Jeezis!

2. Perhaps in Maryland


[Bruce Bereano] Thank you, Chairman Miller, members of the Senate Judicial Proceedings Committee. My name is Bruce Bereano. I’m an attorney here in Annapolis, Maryland. I am here on behalf of the Recording Industry Association of America, which is a trade association out of New York City, which hired me to represent their interests after this bill passed the House of Delegates uh… to seek the defeat of this legislation. RIAA is a trade association of the manufacturers of records and tapes in the United States. With me, at my invitation, as my guest uh… is Mr. Frank Zappa, born and raised here in the state of Maryland, a recording uh… musician, songwriter, and entertainer for some thirty-odd years. I’d like to make a few remarks before I turn the microphone over to Mr. Zappa.
This legislation, like other legislation unfortunately considered in legislatures throughout the state and other states, deals with trying to have government intervene in the development, the establishment and the dealing with matters that should be and should remain within the responsibility, the commitment and the obligation of the family structure.
I will not spend a great deal of time uh… going over lyrics that I could cite as well. Let me just indicate one though:
 

“Love for sale, appetizing young love for sale

Who’s prepared to pay the price, for a trip to paradise?

Love for sale”

Cole Porter, 1930

 
I’d like to ask Mr. Frank Zappa to please comment on this legislation. Mr. Zappa.
 
[FZ] Thank you. First of all I wanna make it very clear I do not represent the RIAA, nor would they wish me to.
These are my personal views, these are opinions. I’m not a lawyer. I’m a guy with a high-school education. I did not go to high-school in Maryland. I escaped. And uh… this is working here? Hello. Which one’s working? None?
 
This is censorship!
 
Alright, I’ll have to talk louder. Uh… I oppose this bill bec for a number of reasons. Uh… first of all, there’s no need for it. The idea that the lyrics to a song are going to cause anti-social behavior, as an exclusive cause of anti-social behavior, I think is not supportable by science, in spite of the fact that a psychiatrist just sat here and told you - and I don’t where he gets this - that this exposure to this type of material will keep young people from thinking or impair their thinking process. It’s a fascinating theory.
In looking at the bill, in spite of the fact that I’m not a lawyer, I see some unusual uh…
You guys read this? Or did you read the synopsis?
In the part where it talks about… the… it says: “In this section the following words have the meanings indicated”, the… the bill seeks to uh… keep you from seeing, renting, buying or listening to material described as “depicting illicit sex”. And the description of what “illicit sex” as per this bill, here’s the descriptions: “Human genitals in a state of sexual stimulation or arousal”. Is that illicit sex? Perhaps in Maryland!
“Acts of human masturbation”, not animal masturbation, this is talking ‘bout human masturbation, you can’t see that but any other kind I suppose you could see. Mechanical masturbation, perhaps. Or acts of government.
“Sexual intercourse or sodomy”. Why… Why do they indicate that sexual intercourse is illicit sex and put it next to sodomy in the same line? The next line: “Fondling or other erotic touching of human genitals”. That is illicit in the State of Maryland according to the law as already written?
Next: “Distributing includes renting”
And then: “3. Nude or partially denuded figures means less than completely and opaquely covered human genitals, pubic region, buttocks, or female breast below a point immediately above the top of the areola”.
Now, I like nipples, I think they look good and that… and if you are going to look at a woman’s breast, if you take the nipple off, which is the characterizing determining factor, what you got is a blob of fat there. OK? And I think that… when you’re a baby, probably one of the first things that you get interested in is that nozzle right there, and you get to have it right up in front of your face, OK? You grow up with it, so to speak, and then you grow up to live in the State of Maryland and they won’t let you see the little brown thing anymore.

Then it says: “Human male genitals in a discernibly turgid state, even if completely and opaquely covered”. Now, I thought “turgid” was like, you know, water swirling around in a… you know, like maybe a Bendix, or something like that, I don’t know whether that’s really the right word for describing the… the male genital. Now is this talking about, you can’t sing about or look at human male genitals with water swirling about them?
“Even if completely and opaquely covered”
I think you have problems in the law as it already exists, let alone amending it to include audio references to the things that are already in this document. Then, because it talks about not being able to advertise matter containing these objectionable topics, it opens up the possibility for this: a person wearing a Mötley Crüe T-shirt, if Mötley Crüe was adjudged, by whatever forum is gonna make these decisions, to be a pornographic act, if the person is wearing the T-shirt, theoretically he could be fined a thousand dollars or go to jail for a year for his wardrobe. And if he wore it twice, it’s “Five thousand dollars or imprisonment not to exceed three years or both unless otherwise provided”.
Some people, when they start talking about pornography, and saving the children, and the rest of this stuff, in the desire to help a child, sometimes choose some strange ways to express it, and what I know about this bill basically is what I see on this paper and things that I’ve read in clippings sent to me from Baltimore papers. And some of the statements made in support of the bill, for example uh… I hope I’m not in incorrectly quoting you, Delegate Toth, in the reference to uh… rock music being “the major cause of incest in the home”, did you say that?
There, I’m sorry if I’m misquoting you, somebody reported to me that you had said that, and I’ve, you know, been baffled by it ever since. But, if you had said it… You know, well, I won’t even bother to answer it since you didn’t say it, but is it true that someone has said, I believe it was uh… Delegate Owens, that rock music is “the worst form of child abuse, big mass child abuse”?
Then somebody in the newspaper is quoting him wrong, because that’s from the Maryland papers. OK?
 
[Senator Yeager] Mr. Chairman
 
[FZ] Yes?
 
[Chairman] Senator Yeager
 
[Senator Yeager] Is Mr. Zappa testifying or is he cross-examining the sponsor of the bill?
 
[FZ] Well, if I’m… Are you accusing me of…
 
[Senator Yeager] Could he keep his testimony to testimony? I would appreciate that.
 
[Chairman] OK. Thank you.
 
[FZ] Well, see, I haven’t… I don’t do this very often so I don’t know the protocol but I thought it would be fair to ask before I accused somebody of saying something they hadn’t said, so, if he wants me to just blab it out, I’ll do it.
 
[?] We appreciate […] Please proceed.
 
[FZ] OK. To say that rock music is the worst form of child abuse, and that it’s mass child abuse, I would call that sky-high rhetoric.
Because if you ever seen photographs, which I have on CNN or other news shows that show stories about abused children with bruises over their body or they’re cut or, you know, they’ve really been badly injured. That’s an abused child.
There is a difference between that photograph and a photograph of a kid with some earphones on listening to a heavy metal album. I don’t equate the two at all.
It is my personal feeling that lyrics uh… will not harm you. There is no sound that you can make with your mouth, or word that will come out of your mouth, that is so powerful that it’ll make you go to hell. It’s not gonna do it. It also not gonna turn you into a social liability.
Disturbed people can be set off on a disturbed course of action by any kind of stimulus.
If they are prone to being anti-social, or schizophrenic or whatever, they can be set off by anything, including my tie, or your hair, or that chair over there, or anything.
Anything can set it off. You can’t point to statistics of people uh… doing strange things in the vicinity of rock music, because all you gotta do is look around at all the normal kids who listen to it, and live with it every day, who do not commit suicide, they don’t commit murder, and they grow up to be, in some cases, legislators.
So, I… I would hope that the State of Maryland would send a message to the other states that are considering this type of legislation. I would hope you would kill it here so that the other states will not continue with this kind of foolish stuff. Because you know it feels like a fad or a trend and it’s something that should stop here and I hope we can stop it here.

3. Thou shalt have no other Gods before Me


[FZ] Well uh… my opinion is that it’s probably the worst thing that has happened to songwriters, to performers and to retailers since uh… since the Constitution. Because what happened here is… and, I really feel sorry for Stan Gortikov because he’s in a difficult position. He said what he said and did what he did because record industry label heads said: “Stan, do this”. OK? I believe that, I don’t think this was Stan’s idea. But, what has been done is a bad thing.
The record industry has a bill called “H.R. 2911”. I don’t know what the number is for the one that goes in the other part of Congress but the House Resolution is called “2911”. And what it’s supposed to do is put a surcharge on blank tape to compensate record companies for the income lost when record buyers tape the record or somebody tapes a television show. And that money goes into the pocket of the record company, not into the artist’s pocket, not into the per songwriter’s pocket, not into the retailer’s pocket. This is money for the record company.
In order to ensure that their bill would not die in the Thurmond committee, which is where it has to go through, they caved in to the first of the PMRC’s demands, and gave them this stickering business. But the rights that they gave away at that point did not belong to them. They gave away the rights of the performer, the songwriter and the retailer, in order to put money in their pocket. Now there’s something legally wrong with that, I think.
And the other thing that’s hideous about what’s going on is there’s such a conflict of interest because the wives of these Senators uh… have used governmental facilities and governmental privileges in order to put their pet project forward. And the fact-finding committee that is convening on the 19th to discuss all this stuff has husbands of members of the PMRC on it, and I think that in… in fairness these husbands, Senator Packwood and Senator Gore, should both excuse themselves from the committee, they shouldn’t be sitting in judgment on their wives’ business.
And I don’t think that anybody has ever provided the public with a complete list of who in the Congress is married to PMRC people. I have their letterhead, I have their fundraising letter , which is really a nasty piece of business, and there’s only four names on the letterhead, but Mrs. Packwood isn’t on the letterhead, so you wouldn’t know unless you’d read that in the Los Angeles Times. And you wouldn’t know that Mrs. Thurmond was on there unless Stan Gortikov had told you. OK? But there… there are probably other ones in Congress uh… who are married to PMRC creatures, and they should not be sitting on any kind of a committee that deals with record company business or deals with this issue. It’s not fair.

4. Thou shalt not make unto thee any graven image


[FZ] Well, it’s as simple as this: the… the PMRC goes to the record industry and extorts them, OK? You have a bill that’s got to go to Thurmond’s committee: “You either do this or something bad is gonna happen”. You know, it wasn’t printed out like that on an invitation, but you know they do give you the “nudge, nudge, wink, wink”, and, you know, you’re supposed to be: “Hey, well, I’m a sophisticated adult individual, I get the picture”. It’s extortion!
All right, so, presto, here comes the generic label (BORN AGAIN) “Parental Guidance / Explicit Lyrics”, whatever it is. They think it’s mild. I think it’s hideous, because it’s taking my rights. Nobody called me up and said: “Hey, Frank, how would you like to help make a uh… a number of major record companies a little richer by giving up your rights?” And here’s what the… the fallout of this has been in terms of the retailer, because, you know, who’s talking about the retailer here? Look what happened to the retailer.
In a discussion with Mark Puma, Twisted Sister’s manager, so I’ve talked to him and he tells me that he had a conversation with the guy from the Camelot chain. Camelot is a retail outlet for records, 400 stores, something like that, in malls across the United States. With no legislation, with no sticker yet, they have already been told by the mall owners association: “If you rack a hard rated album you’re gonna lose your lease”. OK?
And uh… at the California Copyright Conference the other night, when I was speaking, I met a guy from Capitol. He told me that people in his sales department had already been told by major retail chains: “We won’t rack an album with any sticker on it”.
So, what do you think is gonna happen? Just because they gave in on the sticker. What records will go into the store? I’ll tell you what records will go into the store. If the rule is: “No record with any sticker in the store”, there is only one kind that gets to go in, and that’s country & western. Because they have said they don’t want to rate country & western music. Even though it talks about sex, violence, alcohol, the Devil, everything they complain about in rock & roll. And mixed in such a way that you can hear every word and sung to you by people who’ve been to prison and are proud of it. OK?
They don’t want to rate this music. Now, why? You have a husband and wife team from Tennessee. This is a major industry in Tennessee. It’s the Nashville contribution. “Can you help us all out down here?” If everybody else’s record goes off the shelf, what are you stickin’ on? A lot of Dolly Parton, right? There it goes!

5. Thou shalt not take the name of the Lord thy God in vain


[FZ] It’s always been a business issue. The whole thing has been covered with the uh… it’s been injected with this moral tone: “Save the children!” From what? From sex? From violence? Look, a parent has the responsibility to educate their children about sex. You don’t want your child to know about sex, I think you’re taking a risk, because how can you expect a child to under to protect itself or to understand the dangers of a weenie-wagger, unless he knows what a weenie is? You know, you can’t keep them sexually ignorant, it’s dangerous for them. You want to protect your children from violence? Don’t let ‘em watch football.

You know, what they’re talking about is really useless. And in law, I understand, although I only have a high-school education, but somebody told me one time, that in matters pertaining to the First Amendment, you are supposed to look for the least restrictive alternative. And the least restrictive alternative in this case is, don’t buy “Sugar walls”. Nobody is making you buy it. You don’t need to buy “Eat me alive”.
Rock & roll music was never written or performed or designed for the taste of a conservative individual. (WE ARE THE CHILDREN) Why should a group of conservative individuals (WE ARE THE WORLD) exert their taste and their morals on people who want it? If this music offends you, don’t buy it. That’s the best way to vote against it. If you think that your taste and your uh… feeling about this thing is so exactly right, just walk away from it. Or… And/or support music education in school. Music appreciation in school.
Because how can a kid buy something else unless he knows that it exists? Most American kids in the younger age bracket have never heard a symphony orchestra, never heard jazz, have never heard any kind of music other than rock & roll. That’s all they see and that’s all they hear because that’s all that gets broadcast. And music education was taken out of schools because of budget cuts. Who needs it? All right? So stick it back in, that’s what the PTA oughta be doing.
And as far as the rest of the stuff, trying to pass all these minute little legislations of different ratings, you know, a generic warning, if you had to warn anybody, you should say: “Buyer beware! This music was not made for conservative tastes. So just go do something else. Or buy instrumental music”.

6. Thou shalt keep holy the Sabbath day


[FZ] There are artists who do not write their own material. We know this, right? So that means there is a whole community of songwriters who write songs so that hopefully it’s going to go on the next uh… Linda Ronstadt album or Sheena Easton album or whatever. They’re waiting to get their songs sold and that song is gonna pay their rent. OK?
Now, let’s say they get a song on that album and the artist in his or her desire to be uh… versatile chooses a selection of material from all over the musical spectrum, including something written for him or her by Prince. One song that offends somebody under this rating system is going to get an “X” on the entire album and everybody else that’s in there loses money. OK? That’s not fair. That is uh… you’re losing your right to due process there.
The other real danger about all this is the “occult” rating. They’re insisting on individual special ratings for different types of things. Instead of “Buyer beware” they wanna tell you the record has sex, it has drugs and alcohol, it has violence, it has occult. Are they trying to tell me that a parent might let the child buy something with uh… occult, drugs, alcohol and violence, but not with sex? I mean, obviously, th it’s redundant, you know? Why?
Here’s the secret agenda. If something in law… If something goes into law that makes “occult” a legal concept, you got a big danger, because somebody in Washington is gonna wake up one day and say: “You know what? Astrology is occult”. And they’re gonna say: “Yoga is occult”. And they’re gonna say: “The rosary is pretty suspicious too”. And how about that kabala, ladies and gentlemen? And before you know it you’re in big trouble. That is the danger with that particular part of their ratings.

7. Thou shalt honor thy father and thy mother


[FZ] Well, I’ll give you the… the best example of why such a panel is a pure fiction and a pure fantasy. You ever heard of the Grammys? Do you know anything about NARAS? Have you ever heard of the NARAS credo? That’s that little… I saw one one time. The one that I saw was written by Stan Freberg. OK? We… We were the entertainment at the Grammys in 1967 or ‘68 in New York. I saw this piece of paper and it said in part that: “These selections are made on artistic merit alone and have nothing to do with unit sales”. Right? Sure.
NARAS does not listen to 25,000 individual 4 minute songs every year in order to pick somebody who gets a Grammy. It’s obviously fake, OK? Now, how do they expect that somebody is going to, in good conscience, listen to that volume of music? Now, you can’t listen just once (YEAH!) you have to listen carefully to make sure you haven’t missed anything. You know, it’s gonna take more than 4 minutes a song to do this, to listen to the entire output of the United States record business per year (YEAH!). This is a joke. Who’s gonna pay for this?
Obviously the PMRC answer would be: “There are plenty of volunteers in Lynchburg, Virginia. They’ll sit there and listen to it all day and all night. In fact, they’ve already got the little Xs made up, they’re ready to pump ‘em out”. Because, as you know, the major industry in Lynchburg right now is not the Moral Majority. It’s the Fleet Enema Corporation, and you need to have some other kind of business there to boost the local GNP. That’s true! That’s the biggest employer in Lynchburg. (RRAWRRR)
Well, I think that there’s a reason why the Fleet Enema Company located its factory right next to Falwell’s church (RAWRRRR). Or maybe it’s vice versa: maybe there’s a reason why Jerry located his church right next to the Fleet Enema Corporation. Maybe there’s a fund raising balance between them. Maybe they have something that those… they each have something that the other needs for their work.

8. Thou shalt not kill


[FZ] You always see the future by looking backwards, OK? Let’s look backwards. (ROCK & ROLL!) 1950. Rock & roll was born. It’s an awkward youth with a sense of humor, a lot of raw emotion and a terrible reputation because it’s a juvenile delinquent.
Ten years later it grows a conscience, and it’s getting the bad rap because: “Hey, look what you’re doing with the war, you mongoloids with the long hair and all this stuff, you know”.
In the 70s it goes suburban, corporate rock comes in. It blands out. The 80s arrive. Everybody bends over, you know? Falwell pulls a string, the enema comes out, the entire industry goes: “Hey! Thanks a lot! We needed that!” OK?
Broadcasters have bent over, the record companies bent over, the songwriters either out of ignorance, they weren’t informed of what was happening or they just wanted to keep their mouth shut to protect their interest. Nobody said anything.
And meanwhile these women with the collars up to here who sit there like that, and with husbands in high places, are going around doing the most outrageous things with your rights. You know, they chose the record industry because it’s very easy to make fun of people who look and act different than you.
They love it that somebody from Mötley Crüe has got hair out like this and make-up and this stuff, you know, and they show pictures and: “Look at this! Do you want your child…?”, you know. That. They’ve been doing that since the beginning. They did it with Elvis Presley. You know, before that they did it with the fact that a lot of the performers were black. “Do you want your children listening to music by negroes?”
You know, it took years before they could even get that kind of music on white people’s radio stations. And then white people suddenly say: “Hey, big money here”. Boom. Rock & roll.
But, what they’re doing now is very… it’s critical at this point now because unless somebody stands up and says: “This has gotta stop now”, the 90s are not going to be bent over, they’re gonna be lying down. They’re either gonna be lying down or they’re gonna be walking like this, just like the people in Red China.

9. Thou shalt not commit adultery


[FZ] Look, nobody in his right mind believes for a minute that an artist makes more money than the record company. It’s just not stacked up that way. If Michael Jackson sells 30 million units and makes an enormous amount of money, the record company’s made ten, maybe twenty times more. The artist doesn’t make more money than the company. He’s getting a corner of the action. The money goes to the company. The company is the bank.
So any legislation that is involved in this is not sticking the money directly into the artist’s pocket. If he winds up with a… a tidbit, it’s gonna be amazing. And he’s gonna have to struggle for it, because the companies themselves can’t even agree on how the pool will be divided up between them.

10. Thou shalt not steal


[FZ] I have a feeling that it’s all bought and sold, because there’s just too many people in government involved in it already (ED MEESE). And another reason why I feel that is because I’ve been booked for a debate with Mrs. Baker in Seattle on the 29th, so I don’t think any of these people believe that the committee will say: “Hey, this is really stupid, let’s stop”. I don’t think it’s gonna happen. I think that there’s a very good chance that it will move out of the committee into another committee and move toward legislation.
And at that point it is doubtful whether you or I will ever get a chance to vote on it.

11. Thou shalt not bear false witness against thy neighbor


[FZ] Well, to the record industry it means a little bit more hope for their bill, and I don’t think that it’s… it’s not a sure thing that their bill will pass even because they bent over, because look at what the tactic was, they say: “Here’s our demands”. The record company says: “Well, I can’t do ‘em all. I’ll do this one”. They said: “Not good enough! So we’re gonna have this hearing, and we’re gonna need legislation to bring you all into line”. Now, at this point, maybe, I hope that people realize that a mistake has been made.
The biggest mistake, though, is the first of these albums is already on the street. Polydor released a stickered album this week. Everybody’s really anxious to bend over here. And the broadcasters have been totally fake about their responsibility in this thing. You know what they say? “We demand that the record companies put those lyrics on the record!” You know, it’s like they’ve been tricked all along: “We never knew what Sheena Easton was saying!”
I mean, do they really think that anybody believes that a record comes in the mail to the radio station, it comes down a chute, and it’s adjusted like this and just floats onto a turntable? You know, to the dismay of an unknowing disc jockey? You know, let’s face it, people pay money to get things on the radio. It is not easy to get things on the radio. The playlist is very small.
Those records have been screened and screened and screened, and if they say something that you find offensive, it is a conscious decision on the part of the programmer at the station ‘cause he knows that if they play it the ratings are gonna go up and the value of that broadcast property is going to go up, and that’s all the broadcasters care about. For them to pass the buck back to the record company and say: “You didn’t warn us!”, is totally bogus.

12. Thou shalt not covet the house of thy neighbor


[FZ] Here’s that thing about the FCC. Nobody really understands the… this basic premise of the FCC. It was designed to keep your transmitter from messing with the next guy’s transmitter. It’s not the governmental uh… censorship agency. And no matter what Mr. Fowler’s beliefs are about… something must be done, does he in fact have legal power to do something about it? I think not. He’s not a censor. The uh… FCC was never chartered as a censorship organization. I’ve got the charter sitting upstairs, and I’m gonna read the damn thing top to bottom before I go to Washington D.C.
They… Everybody says: “Ooh! The FCC will get you!” What are they gonna do? They’re gonna mess with your license. Well, that’s economic uh… extortion applied to the owner of the broadcast property. (BONDAGE) And a lot of these guys say: “I don’t wanna go to court. Sure, take the record off the air, what’s the difference?”, I mean, you know, you’re bending over!

13. Reagan at Bitburg some more


[Instrumental]



FZ with Larry Stein

English lyrics from site Information Is Not Knowledge.