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Ballet script from Zellerbach Auditorium concert program - June 15, 1984
Linked material:
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Scene 1: Jake’s bedroom, changing to a stylized industrial panorama
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Dancers:
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- Jake
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- Group one (with masonite autos)
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- Group two (illegal aliens)
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- Jake’s secretary
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- Catering man
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Major props:
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- ugly shoe painting (with easel, brushes, palette)
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- bed
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- large surrealistic traffic signal
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- one-dimensional masonite automobiles
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- catering truck (well stocked)
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- ugly shoes coming off assembly line boxes
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(1) JAKE WHO DESIGNS IT
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Curtain rises.
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Jake wakes up and rubs his eyes.
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Jake stumbles out of bed.
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Jake walks towards easel.
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Jake grabs brushes and palette.
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Jake applies 3 finishing brush strokes to painting.
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Jake turns easel toward audience revealing a picture of the ugliest shoe you ever saw in your life.
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Jake’s room walls fly up as bed and elevated area with Jake and easel are pulled off to opposite sides of the stage.
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(2) SOMEWHERE IN NEW JERSEY WHERE THEY MAKE THEM
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Removal of Jake’s set reveals a grotesquely stylized industrial panorama including flaming funnels and smoke-ring-spewing unclassifiable devices.
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A large surrealistic traffic signal turns green.
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Dancers move about with one-dimensional masonite autos.
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Jake appears in their midst, walking to work with the ugly shoe picture under his arm.
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Dance interaction between Jake and cars.
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As Jake and cars dance, factory walls gradually move in from opposite sides of the stage.
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Cars-dancers are gradually replaced by illegal aliens as factory set appears.
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Set change.
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Cars change to aliens.
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Jake dances with the ugly shoe picture.
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Large sign is lowered into factory set reading “SINISTER FOOTWEAR”.
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Changeover is complete as Jake places ugly shoe picture on easel and dashes around urging the aliens to construct it.
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Jake points to various details on ugly shoe design while aliens pretend to understand and scramble around as if they were actually building it.
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(3) ILLEGAL ALIENS ON A LUNCH BREAK
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Aliens drop their tools and rush around pulling their shop aprons off.
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Factory walls slide out again to reveal industrial landscape again. (“SINISTER FOOTWEAR” sign flies up).
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Catering truck drives in.
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Catering man exits truck and opens flaps as aliens gather.
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(4) AT THE CATERING TRUCK
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Aliens grab for truck items.
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Aliens move away with their goods as Jake approaches and makes his selection.
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Jake pays catering man.
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(5) JAKE EATS A MOLDED JELLO SALAD
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Jake makes an elaborate production out of the molded jello salad, dancing with it as he eats.
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Aliens respond.
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Jake eats some more.
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(6) JAKE’S SECRETARY
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She is grooming herself…
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Filing her nails…
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Adjusting her perm…
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Factory walls slide back.
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(7) ILLEGAL ALIENS WORK SLOWER IN THE AFTERNOON
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Aliens continue industrial behavior at half speed.
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(8) JAKE’S SECRETARY READS HER MAGAZINE
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She walks through slow-moving aliens with magazine in front of her face.
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(9) ILLEGAL ALIENS WANT TO GO HOME
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They make yearning gestures in the direction of the front door.
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(10) JAKE’S SECRETARY EATS COTTAGE CHEESE
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(11) UGLY SHOES AT THE ASSEMBLY LINE
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As the shoes come off the line, aliens stuff them into boxes.
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Some aliens carry the boxes away.
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Other aliens stack the boxes.
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As stack is completed, aliens exit randomly.
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Aliens are gone…
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Lights dim; curtain down.
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Scene 2: black velvet backdrop with fun-house mirrors
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Dancers:
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- Group one (beautiful people with ugly shoes)
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- Group two (who pretend not to notice)
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- Children
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- Chiropodist (can be danced by Jake)
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Major props:
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- masks of “beautiful people” and “contemporary personages”
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- rolling bin containing the masks
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- cardboard people who do not notice
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(12) WHAT YOU THINK YOU LOOK WHEN YOU’RE WEARING THEM
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Curtain rises to reveal a group of dancers wearing Jake’s ugly shoes and masks of famous “beautiful people” posing in front of several fun-house mirrors. (Black velvet backdrop)
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Change…
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Pose…
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Change…
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Pose…
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Change…
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Pose…
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Change…
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Pose…
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Change…
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Pose…
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“Beautiful people” engage in social intercourse; shake hands with each other; admire each other’s shoes and costumes.
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“Beautiful people” appear to agree that they are truly beautiful…
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(13) SOMETIMES THEY MAKE YOU WALK FUNNY
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Dancers try to walk in Jake’s shoes and experience great difficulty.
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(14) OTHER PEOPLE PRETEND NOT TO NOTICE
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Fun-house mirrors revolve. The backs of them have cardboard people pretending not to notice.
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Other dancers walk continuously through the group with ugly shoes on, ignoring the shoes in an obvious manner…
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Dance continues with second group revolving mirrors around and through group with ugly shoes.
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Dancers with ugly shoes gradually collapse on floor and begin to remove them.
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(15) SOMETIMES YOU HAVE TO TAKE THEM OFF FOR A MINUTE
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Dancers with shoes off rub their feet.
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Second group watches and nods knowingly.
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(16) THEN YOU PUT THEM BACK ON BECAUSE YOU THINK THEY LOOK SO GOOD ON YOU
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Dancers put shoes back on as fast as possible.
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With shoes back on, dancers now stand and continue types of movement from other section.
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Several children with ugly shoes on sneak in from side of stage.
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(17) CHILDREN CAN ALSO HAVE UGLY SHOES
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They begin to dance with their “parents” as second group departs.
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The chiropodist leaps in from the side.
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All other dancers freeze slowly.
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(18) THE FOOT DOCTOR SAYS YOU MIGHT NEED AN OPERATION
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Chiropodist examines dancers’ feet.
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He warns them…
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(19) BUT YOU’RE GOING TO WEAR THEM ANYWAY
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… but they dance away from him.
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Dancing go back to posing in front of mirrors.
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(20) EVERYBODY HAS A PAIR SOMEWHERE
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Chiropodist produces rolling bin full of masks of contemporary personages and distributes these to dancers.
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Dancers affix masks and imitate the activity appropriate to the personage whose mask they are wearing.
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Dancers indicate during the dance in some way how the personage’s ugly shoes most affect his or her competence.
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Hold pose as lights dim and curtain falls.
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Scene 3: surreal night club scene
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Dancers:
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- entire company
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(21) A PLACE YOU CAN GO WHEN YOU’VE GOT THEM ON
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Scene is surreal night club with moving cut-out audience and moving cut-out entertainer on small revolving stage.
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All dancers, in ugly shoes and evening clothes, conduct various social transactions.
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