Ballet script from Zellerbach Auditorium concert program - June 15, 1984

Linked material:

Sinister footwear

 


“A Zappa Affair” concert by Berkeley Symphony Orchestra directed by Kent Nagano


Scene 1: Jake’s bedroom, changing to a stylized industrial panorama
Dancers:
- Jake
- Group one (with masonite autos)
- Group two (illegal aliens)
- Jake’s secretary
- Catering man
Major props:
- ugly shoe painting (with easel, brushes, palette)
- bed
- large surrealistic traffic signal
- one-dimensional masonite automobiles
- catering truck (well stocked)
- ugly shoes coming off assembly line boxes
 
(1) JAKE WHO DESIGNS IT
Curtain rises.
Jake wakes up and rubs his eyes.
Jake stumbles out of bed.
Jake walks towards easel.
Jake grabs brushes and palette.
Jake applies 3 finishing brush strokes to painting.
Jake turns easel toward audience revealing a picture of the ugliest shoe you ever saw in your life.
Jake’s room walls fly up as bed and elevated area with Jake and easel are pulled off to opposite sides of the stage.
 
(2) SOMEWHERE IN NEW JERSEY WHERE THEY MAKE THEM
Removal of Jake’s set reveals a grotesquely stylized industrial panorama including flaming funnels and smoke-ring-spewing unclassifiable devices.
A large surrealistic traffic signal turns green.
Dancers move about with one-dimensional masonite autos.
Jake appears in their midst, walking to work with the ugly shoe picture under his arm.
Dance interaction between Jake and cars.
As Jake and cars dance, factory walls gradually move in from opposite sides of the stage.
Cars-dancers are gradually replaced by illegal aliens as factory set appears.
Set change.
Cars change to aliens.
Jake dances with the ugly shoe picture.
Large sign is lowered into factory set reading “SINISTER FOOTWEAR”.
Changeover is complete as Jake places ugly shoe picture on easel and dashes around urging the aliens to construct it.
Jake points to various details on ugly shoe design while aliens pretend to understand and scramble around as if they were actually building it.
 
(3) ILLEGAL ALIENS ON A LUNCH BREAK
Aliens drop their tools and rush around pulling their shop aprons off.
Factory walls slide out again to reveal industrial landscape again. (“SINISTER FOOTWEAR” sign flies up).
Catering truck drives in.
Catering man exits truck and opens flaps as aliens gather.
 
(4) AT THE CATERING TRUCK
Aliens grab for truck items.
Aliens move away with their goods as Jake approaches and makes his selection.
Jake pays catering man.
 
(5) JAKE EATS A MOLDED JELLO SALAD
Jake makes an elaborate production out of the molded jello salad, dancing with it as he eats.
Aliens respond.
Jake eats some more.
 
(6) JAKE’S SECRETARY
She is grooming herself…
Filing her nails…
Adjusting her perm…
Factory walls slide back.
 
(7) ILLEGAL ALIENS WORK SLOWER IN THE AFTERNOON
Aliens continue industrial behavior at half speed.
 
(8) JAKE’S SECRETARY READS HER MAGAZINE
She walks through slow-moving aliens with magazine in front of her face.
 
(9) ILLEGAL ALIENS WANT TO GO HOME
They make yearning gestures in the direction of the front door.
 
(10) JAKE’S SECRETARY EATS COTTAGE CHEESE
 
(11) UGLY SHOES AT THE ASSEMBLY LINE
As the shoes come off the line, aliens stuff them into boxes.
Some aliens carry the boxes away.
Other aliens stack the boxes.
As stack is completed, aliens exit randomly.
Aliens are gone…
Lights dim; curtain down.


Scene 2: black velvet backdrop with fun-house mirrors
Dancers:
- Group one (beautiful people with ugly shoes)
- Group two (who pretend not to notice)
- Children
- Chiropodist (can be danced by Jake)
Major props:
- masks of “beautiful people” and “contemporary personages”
- rolling bin containing the masks
- cardboard people who do not notice
 
(12) WHAT YOU THINK YOU LOOK WHEN YOU’RE WEARING THEM
Curtain rises to reveal a group of dancers wearing Jake’s ugly shoes and masks of famous “beautiful people” posing in front of several fun-house mirrors. (Black velvet backdrop)
Change…
Pose…
Change…
Pose…
Change…
Pose…
Change…
Pose…
Change…
Pose…
“Beautiful people” engage in social intercourse; shake hands with each other; admire each other’s shoes and costumes.
“Beautiful people” appear to agree that they are truly beautiful…
 
(13) SOMETIMES THEY MAKE YOU WALK FUNNY
Dancers try to walk in Jake’s shoes and experience great difficulty.
 
(14) OTHER PEOPLE PRETEND NOT TO NOTICE
Fun-house mirrors revolve. The backs of them have cardboard people pretending not to notice.
Other dancers walk continuously through the group with ugly shoes on, ignoring the shoes in an obvious manner…
Dance continues with second group revolving mirrors around and through group with ugly shoes.
Dancers with ugly shoes gradually collapse on floor and begin to remove them.
 
(15) SOMETIMES YOU HAVE TO TAKE THEM OFF FOR A MINUTE
Dancers with shoes off rub their feet.
Second group watches and nods knowingly.
 
(16) THEN YOU PUT THEM BACK ON BECAUSE YOU THINK THEY LOOK SO GOOD ON YOU
Dancers put shoes back on as fast as possible.
With shoes back on, dancers now stand and continue types of movement from other section.
Several children with ugly shoes on sneak in from side of stage.
 
(17) CHILDREN CAN ALSO HAVE UGLY SHOES
They begin to dance with their “parents” as second group departs.
The chiropodist leaps in from the side.
All other dancers freeze slowly.
 
(18) THE FOOT DOCTOR SAYS YOU MIGHT NEED AN OPERATION
Chiropodist examines dancers’ feet.
He warns them…
 
(19) BUT YOU’RE GOING TO WEAR THEM ANYWAY
… but they dance away from him.
Dancing go back to posing in front of mirrors.
 
(20) EVERYBODY HAS A PAIR SOMEWHERE
Chiropodist produces rolling bin full of masks of contemporary personages and distributes these to dancers.
Dancers affix masks and imitate the activity appropriate to the personage whose mask they are wearing.
Dancers indicate during the dance in some way how the personage’s ugly shoes most affect his or her competence.
Hold pose as lights dim and curtain falls.


Scene 3: surreal night club scene
Dancers:
- entire company
 
(21) A PLACE YOU CAN GO WHEN YOU’VE GOT THEM ON
Scene is surreal night club with moving cut-out audience and moving cut-out entertainer on small revolving stage.
All dancers, in ugly shoes and evening clothes, conduct various social transactions.


English lyrics from site Information Is Not Knowledge.